Personality: Cressida is a father's dream. All of her garments are fine and costly, making her look very beautiful. When left unstyled, which is very rare, they tumble down her back like a waterfall of molten gold, falling in loose waves to her hips.Ĭressida is always dressed to impress. She spends hours tending to them, and the servants are always finding new ways to style them. Her glorious tresses are her pride and joy, her greatest treasure, her crowning glory, They seem to possess an everlasting lustre thanks to another rigorous regime. They are encapsulated by long, thick, voluptuous golden lashes, and thin, perfectly plucked eyebrows rest directly above.
Her sparkling sapphire eyes are not too far apart, and a tiny nose rests between them. The features of her porcelain face are delicate. Her porcelain skin is soft to the touch and free of all blemishes, flawless thanks to a rigorous skincare regime. Her breasts are not small, but nor are they large. She is very slim, with a flat stomach and a tiny waist.
She does not possess the seductive curves of some women, yet the frailty of her figure possesses an innocent charm of its own. Her figure is so frail that some fear handling her too roughly lest she shatter and never be whole again. Some say that she bears the appearance of a porcelain doll brought to life by a sorcerer's enchantment. As for the story, it could have been a lot, lot better.Full Name: Cressida Mirabelle Amia Felicity LockwoodĪppearance: Cressida is an ethereal beauty, easily one of the most ravishing young ladies in the Utopia. As an avid, and long time fan of true science fiction, I thoroughly enjoyed that aspect of the film.
I wish there had been some of this when Bladerunner was produced. Bottom line: the world building in Elysium was excellent. There are any number of SF writers out there that can, I believe, turn out much better scripts than currently making their way to the big screen. I just wish that, when someone comes up with future plans for making a legitimate SF film (sans comic book scenarios), they contract a real science fiction author to write the screenplay. I suspect that so much talent and expense is spent on the visuals that insufficient amounts of funding and time are left for the associated story. Especially after being the brains behind Bladerunner. I would have thought he, at least, would appreciate the need for a good story to match the visuals. Elysium hearkens me back to Prometheus, directed by Ridley Scott. At the end of this film, I had the same, perpetual feeling that no one out there making SF films gets the message: without a good story, you don't have a really good film. I'm continually impressed with what is being created (visual effects wise)today, but remain disappointed when it comes to the associated screenplays/plot lines. What seems to be a trend in big budget SF films occurred, once again, in Elysium.
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